NEVER LOOK BACK Featured Excerpt

NEVER LOOK BACK Featured Excerpt

Mary Burton, Never Look Back Cover Art​Nashville, Tennessee
Monday, August 17, 10:30 p.m.

Heat and humidity punched up the bleach’s faint scent in the van’s dark interior. It made his eyes water, his throat burn, and his palms itch under the latex.

Scrubbers and fine brushes cleaned surfaces well enough, but disinfectants seeped into unseen crevices and obliterated pesky droplets of blood. Trace evidence sowed the seeds of a cavalier man’s downfall.

Perhaps the second dousing of cleaner had been overkill, but his belt-and-suspenders approach never failed him. He had many faults, but carelessness was not one of them. Better this temporary irritation than a lifetime in a jail cell.

He rolled down the driver’s side window, knowing next time he would rinse out the vehicle with more water after the bleaching. He turned his face toward the warm, fresh air. He inhaled and closed his eyes, pretending the whoosh of cars on Interstates 24 and 40 was the ocean. Some of his best Date Nights had been on secluded beaches.

He had enjoyed traveling up and down the East Coast because he had decided long ago the women at the beach were the prettiest. Accustomed to warm air and sunshine, they tended toward short skirts and revealing tops and, for the most part, stayed in shape.

As much as he loved the ocean, he had sensed it was time to move on to new territory. Maybe it was because he was getting older, but he had felt a pull toward Nashville, his hometown. His parents were long dead. Any friends he’d once had would not recognize him. Repatriation was good for the soul. It reinvigorated the senses. Challenged the mind.

Nashville, Tennessee. Music City. Home of the Country Music Hall of Fame. He had forgotten that it was such an exciting, bustling city filled with beautiful ladies who did not disappoint.

What Nashville lacked in beaches it made up for with out-of-the-way spots. The houses he had found were all located at the end of winding roads on the tops of hills. Their views were amazing. In the five weeks he had been back, he had enjoyed two Date Nights with women he had chosen from the streets. Online shopping for a date was efficient, but it also left a digital trail. Old-school cruising left less evidence.

Once he’d made his selection, it was off to his hilltop, where he and his Lady Loves had had all the time in the world to get to know each other.

Good relationships needed privacy. They could not be rushed.
Yes, sir. He had enjoyed two very fine dates recently. He should have been satisfied by now. But instead he remained ravenous and craved a third date.

He blinked and then rubbed his nose. The smell was fading, which was good. First impressions mattered.

The strong scent was due to two cleansings in as many days. Generally, he allowed more time. But he was not getting any younger. And each day he realized how precious time was becoming.

He had parked his van in the shadow of an abandoned South Nashville warehouse in an area called the Bottom. This industrial section was nestled between the Nashville airport and the juncture of Interstates 24 and 40. It was the workmen’s world by day and the playground of prostitutes and johns by night.

A couple of miles north, the skyscrapers shimmered over Music City’s business district. Nestled among the tall buildings was Lower Broadway, where red, white, and blue neon lights charmed tourists into cowboy boot shops, honky-tonks, and the Grand Ole Opry.

Only a stone’s throw separated Nashville’s vibrant downtown from the Bottom, but the worlds could not have been more distant.

In the Bottom, revving cars, shouts, and gunfire replaced the sound of live music. The air carried the odor of fetid garbage rather than smoky barbecue. Instead of smiling tourists strolling Lower Broadway, junkies needled heroin into exhausted veins while hookers slid into an endless supply of cars.

This was his tenth trip to the Bottom in the last month. Down here the lineup changed from day to day, week to week. Always a fresh face. Familiarity could make a man sloppy, but he approached each trip as if it were his first, careful to avoid aggressive pimps or the very rare cop.

Most of the women down here had a hard, worn look that did not appeal. He did not care for the experienced ones. Too jaded. Tough like gristle. Not just any gal would do for Date Night.

Tonight, he felt lucky. In control.

On the corner across the street stood two women. They had arrived about a half hour ago and seemed to know the area well. The women were constantly adjusting their outfits and scanning the area. A third girl arrived. She spoke to the duo, and the other girls did not appear to welcome her.

New Girl was not tall, but she was slim and very fit. Long black hair draped shoulders clad in a white button-down shirt. She had twisted the shirttails around her narrow waist and tied them into a knot above a brass belt buckle. The top four buttons were unfastened to the edges of a lacy white bra filled with ample, perky cleavage. Some men liked legs. Others, ass. He was a breast man.

Skinny jeans perfectly hugged legs rising out of red cowboy boots studded with silver rhinestones. She had a fresh look that was pleasing. His Date Night girl needed to have some experience, but he also did not want rode-hard-and-hung-up-wet.

This one looked young. Body of a teenager, but her demeanor suggested she was a few years older. Hard to tell. The streets aged girls like her.

This was not the first time he had seen this one down here. Three nights ago, he had glimpsed her laughing with several of the girls, but before he could make his move, the priest who operated the Mission had engaged her in a lengthy discussion.

He leaned forward, resting his forearms on the steering wheel. The glow of the streetlight shadowed Date Night girl’s angled chin. Her back was straight. Tits out. Good posture. This girl was self-assured and would do nicely.

He imagined the sound of bones crunching. Screams. The feel of warm blood on his face.

The strong and healthy ones could sustain a great deal of abuse. It was always disappointing to go to the trouble of finding a date, arranging a first outing, and then having them die too soon.

He had had thirteen girlfriends in all. A couple of girls had made it beyond a week, but the others had barely survived a few days. His longest relationship had lasted sixteen days.

New Girl ran long fingers through her hair, arching her back seductively as if she knew he was watching. His attention focused on the trim waist and then roamed over her full breasts and slim neck.

He imagined her stripped down, her tanned skin glistening in the moonlight and a tight collar around her throat. Dangling from the collar was the key to unlock the cuffs that restrained her.
He had high hopes for this one. He imagined her breaking, submitting to him.

Growing hard, he palmed his johnson. Anticipation crept through him. “Ready to play in my van, Ms. Perky Breasts?”

He was tempted to walk up to her, but with the other girls close, he did not. Moving in the open was a recipe for trouble. Even if the other girls did not remember him, there were unseen cameras or witnesses lurking. Lots of traps in the game he played. And he knew them all.

He scratched above his ear where some of his real hair had slipped the confines of the blond wig. Tugging at his gloves, he was anxious to be done with it, as well as the colored contacts and glasses, but he could not reveal himself until he and his girl were alone. It was the belt-and-suspenders approach.

New Girl fished in her purse, pulled out a cell phone, and raised it to her ear. She ducked her head, as if in deep conversation. Pimps kept a tight leash on their girls. Most texted every half hour and expected a quick response, or there would be hell to pay. Always better to avoid the pimps. The priest was also a problem. She watched out for the girls like they were her flock.

Date Night girl ended her call as a black early-model Cadillac pulled up. It had chrome wheels and a white convertible top with Tennessee plates. The first two girls approached the car and leaned inside to chat with the driver.

“Don’t you leave me, girl.” He whispered the words over and over as anxiety crawled up his back.

As Date Night girl lingered back, the two women laughed at something the driver must have said. The passenger door opened, and the two women slid inside, nestling close to the driver. His Date Night girl took a step back and watched the vehicle drive off.

Ms. Perky Breasts was now alone. Another sign.

It was just the two of them.

Now or never.

I SEE YOU EXCERPT: Look in the Gray Trunk

Image of suspense author Mary Burton

 

 

The building manager’s gaze dropped to the creased bills carefully smoothed out so they did not look like they had been jammed in a pantry mason jar. “I could lose my job.”

Nikki’s cash reserves were on vapors, and her credit cards bumped against their respective limits. What resources she still had needed to last until the end of the month, when her corporate freelance gig coughed up the two grand needed for rent. “No worries. Open the door, and no one will be the wiser.”

A string of sixty-watt bulbs skimmed along the top of the low, dark ceiling, dribbling light on the storage units housed in the basement of the Alexandria apartment complex they served. Moisture clung to the walls, and a musty scent filled the air. God only knew what the mold count was down here, and because Nikki’s medical insurance expired at the end of the month, she did not need some kind of bullshit allergic reaction.

The manager quickly pocketed the money and thumbed through a collection of keys until he found the right one. He jammed it in the lock and twisted. It did not budge. He removed the key, inspected the worn ridges and teeth, and then tossed her a baffled expression.

Nikki grinned but sensed her attempt to appear patient fell flat as the man’s brows knotted, and he refocused on a second attempt. He wiggled the key back and forth. This time he teased the tumblers into alignment. The lock clicked open.

His expression triumphant, he pushed open the door. “What are you looking for?”

“A trunk,” she said.

She had received a tip through her website, Crime Connection, which she had set up two months ago after she’d left the news station. The purpose of the site was to turn cold or hot case tips into stories that would earn her another job in television. So far, the tips had either been bogus or so vague they had been unusable, but this one was so specific it gave her hope it would be different.

The sender had detailed the building’s address, this specific storage unit, along with a note to open a gray trunk. A little digging into the building’s history, and the unit’s owner revealed a Helen Saunders rented this space. By all accounts the eighty-eight-year-old lived quietly and had been retired for over two decades. She still volunteered at a food bank, had no criminal record, and always paid her rent on time. When Nikki had visited her yesterday, the woman had had trouble concentrating and had admitted she did not own a computer. Clearly, Helen had not sent the message via Nikki’s website.

Look in the gray trunk.

Nikki studied the dusty brown boxes covered in what looked like a decade’s worth of dust. She fished her GoPro from a large black purse and clipped it onto the V of her blouse, between her breasts. Back in the day, she would have had her cameraman, Leo, do the filming. But Leo, along with the steady paycheck and insurance, was gone. “Can you find Helen Saunders’s original rental application?”

“Those records would be in the warehouse, if we still have them.”

“There’s five hundred bucks for the guy who can find it for me.”

“Why?”

“Never know.”

“I don’t know. I could lose my job.”

She leveled her gaze on the guy, sensing that despite his worry, he would be looking for that application. “Thanks for your help. I can take it from here.”

“I should stay. I got an obligation to my tenant.”

“I’m not here to steal,” she said. “Just following up on a tip.”

The manager eyed the camera and its strategic placement several beats before he raised his gaze to her face. “Do I know you?”

“I don’t think so.”

He shook his head, wagging his finger. “You do the news.”

Nikki switched the camera on. “Did.”

“You got canned, right?”

“It’s complicated.”

She had been chasing a story on political corruption and government contracting. The deeper she had dug into the systemic graft, the more committed she had become to the story. In the end, she had been damn proud of the final draft, which was some of her best work. However, the politically savvy station manager had not been as thrilled, and his heavy-handed edits had gutted the story. The stubborn streak that had propelled her up the career ladder now demanded she dig in her heels. Despite her manager’s ultimatum, she had read the story on the air during prime time. The next morning, when she had arrived at the station, her manager had canned her on the spot and had had her escorted out of the building. She had been taken aback, though not surprised, but as she had marched out of the office with her box of belongings, she had been optimistic because she’d believed her credentials would land her a job in another market. What she’d discovered was that her story had offended some powerful people who had seen to it that every major and minor news market was closed to her.

Refusing to let her temper rise, she angled her camera toward the building manager’s face. “Make sure I don’t accidently film you when I go live.”

He turned his face away. “I can’t be on camera. We’re not supposed to be here. I could get fired.”

“Take it from me—you don’t want that.”

The manager eased away from the door. “I’ll be back here.”

“Whatever works.”

Of course, she wasn’t actually going live. Given her luck, this entire adventure could be a stunt designed to humiliate her.

She plucked her phone from her back pocket and held it up, knowing a second camera angle might come in handy during editing. In selfie mode, she began to record. “I just received an anonymous tip through my website, Crime Connection,” she said, loud enough for the camera to pick up her voice. “My source tells me to look for a gray trunk in this particular location.”

She panned around the space and then propped her phone on an old dresser mirror and continued to move boxes filled with crap that should have been tossed a decade ago. Dust soon coated her jeans and very expensive turquoise top. The grime would enhance the television drama but would be hell on the dry cleaning bill.

The camera jostled when she bumped it with a dusty box. “It’s an average storage unit that most of us who’ve lived in an urban apartment would have used at one time or another.” She moved a lamp from an ugly 1970s-style end table and angled her body around the table.

Nikki looked directly into the frame, wanting the lens to catch her pensive look. As she turned, she spotted the gray trunk.

After grabbing the leather side handle, she hefted the trunk and found it much lighter than expected. She set the trunk in the hallway, where the light was marginally better. Though she felt a rush of excitement, she did not hurry the opening. The buildup could be as important as the payoff. “A gray trunk.”

She picked up the phone and angled it toward the tarnished brass lock. Multiple angles always worked well in editing. Her fingers hovered over the lock.

As she adjusted the lens in for a close-up the manager peered over her shoulder partly blocking her shot.  She swatted him back as she pressed the release button on the lock. To her delight, it popped open. She lifted the lid. The box was filled with stained, brittle tissue paper, which crumbled on contact. Her insides tingled. She still lived for this and remembered how much she missed investigative journalism.

As she scooped up paper, she froze as she stared at the box’s contents. “Is this a joke? Did Rick put you up to this?”

“Who’s Rick?”

“My former boss at the news station.”

“I don’t know Rick,” the manager said. “It looks like a Halloween decoration.”

It was a complete skeleton that was discolored and darkened.

 

©2019 Mary Burton

Cover and Buy Now bubble for Mary Burton's I SEE YOU

 

 

 

 

Fall in Love with Pumpkin Spice Sugar Cookies

A Mary Burton Killer Recipe

Sav

1 cup butter, softened
2 cups sugar
2 eggs
2 ¾ cup all-purpose flour
1 t baking soda
½ t baking powder
2 T pumpkin pie spice
Cinnamon sugar

Cream together the butter and sugar.  When the mixture is smooth, add in one egg at a time.  In another bowl shift together the flour, baking soda, baking powder and pumpkin pie spice.  Gradually mix the dry ingredients into the butter/sugar mixture.  Form dough into small balls, roll in cinnamon sugar and bake in a preheated 375-degree oven for 8-10 minutes.

 

 

 

 

 

 

 

 

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I SEE YOU EXCERPT: Putting a Face to the Name

Image of suspense author Mary BurtonPreview Changes (opens in a new tab)

 

 

Special Agent Zoe Spencer stepped back from the clay bust she had been working on for weeks. The woman’s likeness featured an angled jaw, a long narrow nose, and sculpted cheekbones. She had chosen brown for the eyes, a guess based on statistics. And it was not lost on her that the most telling part of who this woman had been was conjecture.

Zoe’s attention to detail was both her superpower and her Achilles’ heel. Many questioned her ceaseless fretting over the minutiae such as a chin’s dimple, the flare of nostrils, or the curve of lips into a grin. Some in the bureau still believed her work was purely art and not real science.

Her sculptures were not an exercise in art and creativity. The point of her work, like this bust, was to restore a murder victim’s identity and see that they received justice. But instead of arguing with the nonbelievers, she simply allowed her 61 percent closure rate do her talking.

Sculptor, artist, and FBI special agent were her current incarnations, but she had others. Dancer. Wife. Young widow. Survivor. Each had left indelible marks, some welcome and some not.

On a good day, Zoe would not change her history. Her past had led her to this place, and she was here for a reason. But on a bad day, well, she would have killed to get her old life back.

She had been with the FBI criminal profiler squad for two years and almost immediately had put her expertise to work. She caught the cases requiring forensic sketches or sculptures, not only because of her artistic abilities and expertise in fraud, but because of her keen interview skills. Armed only with questions, a sketch pad, and a pencil, she burrowed into the repressed memories of witnesses and victims, penciling and shadowing those recollections into useful images.

She certainly did not have a master artisan’s skill, but she was good enough. And from time to time, local law enforcement brought her a skull and requested a forensic reconstruction. Such was the case of her latest subject.

The lab door opened. “How’s it going?”

The question came from her boss, Special Agent Jerrod Ramsey, who oversaw a five-person profiling team based at the FBI’s Quantico office. Their team specialized in the more unusual and difficult cases.

In his late thirties, Ramsey was tall and lean with broad shoulders. He had thick brown hair cut short on the sides and longer on the top, a style reminiscent of the 1930s. His patrician looks betrayed his upper-class upbringing that had financed his Harvard University undergrad and Yale law degrees. Naturally skeptical, he was considered one of the best profilers, and though many wanted him in the FBI’s Washington, DC headquarters overseeing more agents, he had skillfully maneuvered away from the promotions.

Zoe raised the sculpting tool to the bust’s ear and shaved down the lobe a fraction. The artist always wanted more time to tinker. The agent understood when good had to be enough. “I’m ninety percent of the way there.”

Ramsey approached the bust and studied it closely. His expression was unreadable, stern even, but interest sparked in his eyes. He was impressed. “This is better than ninety percent.”

“Thank you.”

Ramsey leaned in, closely regarding Jane Doe’s glassy stare. “It’s really remarkable that you could create this likeness given the damage.”

Nikki McDonald had done Zoe no favors when she had handled and then dropped the scorched skull. “I’ve worked with worse.”

“I understand standard skin depths and predetermined measurements for determining facial structure, but how did you decide that she had brown eyes?”

Ah, always back to the eyes. “Over fifty percent of the world’s population has brown eyes.”

He grinned slightly. “So, a guess?”

“A calculated guess, Agent Ramsey.”

“I stand corrected. How long did this take?”

“On and off, about six weeks. I had to work it around other cases.”

“We all juggle. Nature of the beast.”

“Not complaining. I like the work.” Married to it was more like it.

“What else can you tell me about Jane Doe?” he asked.

Zoe shrugged off the smock she wore over her white tailored shirt and black slacks and exchanged it for her suit jacket hanging on a peg. “Bone structure tells me she was a Caucasian female in her late teens. The few teeth that remain indicate she enjoyed good nutrition and dental care, which suggests she had resources when she was alive.”

He walked around the bust, getting a 360-degree view. He pointed to the hair tucked behind the ear, as a girl in her teens might do. “Was the hair also a calculated guess?”

“In part. Given her bone structure, I assumed it was a lighter color.”

“Do you know how she died?”

“Knife marks on her ribs indicate she was stabbed at least once in or near the heart.”

“The bones were badly burned. Could a fire have killed her?”

“We’d need soft tissue to determine. There are marks along the sides of the skull suggesting someone took a blowtorch to it.”

“Why torch the skull?”

“Your guess is as good as mine. Perhaps the killer wanted to minimize the smell of rotting flesh. Or he wanted to destroy DNA, which he did accomplish when he also pulled most of her teeth. Or he could have been exorcising extreme rage.”

“He wanted to obliterate the woman’s identity,” he said, more to himself.

“That’s what I think.”

“The killer or someone messaged the tip to Ms. McDonald’s website,” Ramsey said. “Why now?”

“Another guess? The killer is tired of hiding,” she theorized. “He wants recognition for a job he considers well done. Maybe he’s sending a message to someone else?”

“Who?”

“An accomplice.” She sighed. “Or a witness who now feels secure enough to act.”

“How long has Jane Doe been dead?” Ramsey eyed the bust, as if the face troubled him.

“No way of knowing. Though Jane’s dental work is modern.”

“Any personal items found with the skull?”

“No.” She was Jane’s last and best hope for identification.

Ramsey straightened. “Impressive work, Agent Spencer. The bust will be a significant help to Alexandria police. You’re working with Detective William Vaughan?”

“Correct.”

“He attended several of the profiling team’s workshops in the spring.”

The spring training sessions had been designed to help local cops solve crimes. Detective Vaughan had been one of her best students. She had discovered he had a master’s in theoretical math, a reputation for thinking outside the box, and, over his ten years on homicide, a closure rate edging toward 90 percent. Her respect for his work had grown into desire, and when he had asked her out for coffee, saying yes was easy. It was not long after that that they had started sleeping together.

“I’ll send Vaughan a picture of the bust so he can cross-check it against any pictures he has on file,” she said. “His department’s public information officer is arranging a news release. If we can publicize her face, we might get an identification.”

“Good.”

“Ms. McDonald has called my office several times,” she said. “I haven’t taken her call, but her voicemail messages make it very clear she wants access to the case. Kind of a finder’s fee.”

“She’ll get the news along with everyone else.” His mouth bunched in curiosity as he regarded the still face. “I understand the apartment building where the skull was found is a half mile from I-95.” The north-south interstate’s twelve hundred miles of roadway ran through a dozen states and was a main artery for running drugs, weapons, and human trafficking.

“Correct. Jane Doe could be from anywhere.”

Ramsey stood back from the bust, folding his arms over his chest. “Her face is familiar.”

Zoe looked again at the bust. “You’ve seen her before?”

He leaned forward, his eyes narrowing. “Ever had a name on the tip of your tongue, but you couldn’t quite grasp it?”

Instead of pressing him for the name, she took a different tactic. “You’ve worked hundreds of cases.”

His gaze cut back to Zoe. “Yes. And I’ve seen the faces of a thousand victims.”

“Given she was in the basement for up to twenty years, you could have been a new agent when you saw her.”

“Early 2000s.”

“Remember, she’d have been a girl of means and likely missed when she vanished.”

He flexed his fingers and then suddenly straightened, snapping his fingers. “I can’t believe I didn’t see it right away. This is Marsha Prince.”

“Prince?” Zoe said. “Why is that name familiar?”

“She was a rising sophomore at Georgetown University and was in Alexandria working in her father’s business. She was days away from returning to school in August 2001 when she vanished.”

Tumblers clicked into place, and the memory unlocked. The case had been profiled at the academy. “She was living at home with her parents, who lived in Alexandria. She literally vanished, and the cops never figured out what happened to her.”

“That’s the one,” Ramsey said.

There had been search crews scouring the region. Cadaver dogs had canvased the parks, fields, and riverbeds, dry from drought that summer. As Zoe studied the face, more fragments of the forgotten case slid together into a cohesive picture.

Young, blond, smart. With the world before her, Marsha Prince’s disappearance had set off a firestorm that had rippled through all levels of law enforcement, local politics, and television news shows. Her name had been kept alive for a few years until finally time had cast Marsha Prince into the sea of lost souls.

“Should we notify her family that we may have found her?” Zoe asked.

“Mom and Dad are both deceased,” he said. “She does have a sister, Hadley Prince, but last I heard, she’d moved away.”

“Without DNA, we’ll need a visual identification from family.”

“Turn it over to Detective Vaughan. The ball’s in his court now.”

©2019 Mary Burton

Cover and Buy Now bubble for Mary Burton's I SEE YOU

 

 

 

 

I SEE YOU FEATURED EXCERPT: Putting a Face to the Name

I SEE YOU FEATURED EXCERPT: Putting a Face to the Name

Image of suspense author Mary Burton

 

 

Special Agent Zoe Spencer stepped back from the clay bust she had been working on for weeks. The woman’s likeness featured an angled jaw, a long narrow nose, and sculpted cheekbones. She had chosen brown for the eyes, a guess based on statistics. And it was not lost on her that the most telling part of who this woman had been was conjecture.

Zoe’s attention to detail was both her superpower and her Achilles’ heel. Many questioned her ceaseless fretting over the minutiae such as a chin’s dimple, the flare of nostrils, or the curve of lips into a grin. Some in the bureau still believed her work was purely art and not real science.

Her sculptures were not an exercise in art and creativity. The point of her work, like this bust, was to restore a murder victim’s identity and see that they received justice. But instead of arguing with the nonbelievers, she simply allowed her 61 percent closure rate do her talking.

Sculptor, artist, and FBI special agent were her current incarnations, but she had others. Dancer. Wife. Young widow. Survivor. Each had left indelible marks, some welcome and some not.

On a good day, Zoe would not change her history. Her past had led her to this place, and she was here for a reason. But on a bad day, well, she would have killed to get her old life back.

She had been with the FBI criminal profiler squad for two years and almost immediately had put her expertise to work. She caught the cases requiring forensic sketches or sculptures, not only because of her artistic abilities and expertise in fraud, but because of her keen interview skills. Armed only with questions, a sketch pad, and a pencil, she burrowed into the repressed memories of witnesses and victims, penciling and shadowing those recollections into useful images.

She certainly did not have a master artisan’s skill, but she was good enough. And from time to time, local law enforcement brought her a skull and requested a forensic reconstruction. Such was the case of her latest subject.

The lab door opened. “How’s it going?”

The question came from her boss, Special Agent Jerrod Ramsey, who oversaw a five-person profiling team based at the FBI’s Quantico office. Their team specialized in the more unusual and difficult cases.

In his late thirties, Ramsey was tall and lean with broad shoulders. He had thick brown hair cut short on the sides and longer on the top, a style reminiscent of the 1930s. His patrician looks betrayed his upper-class upbringing that had financed his Harvard University undergrad and Yale law degrees. Naturally skeptical, he was considered one of the best profilers, and though many wanted him in the FBI’s Washington, DC headquarters overseeing more agents, he had skillfully maneuvered away from the promotions.

Zoe raised the sculpting tool to the bust’s ear and shaved down the lobe a fraction. The artist always wanted more time to tinker. The agent understood when good had to be enough. “I’m ninety percent of the way there.”

Ramsey approached the bust and studied it closely. His expression was unreadable, stern even, but interest sparked in his eyes. He was impressed. “This is better than ninety percent.”

“Thank you.”

Ramsey leaned in, closely regarding Jane Doe’s glassy stare. “It’s really remarkable that you could create this likeness given the damage.”

Nikki McDonald had done Zoe no favors when she had handled and then dropped the scorched skull. “I’ve worked with worse.”

“I understand standard skin depths and predetermined measurements for determining facial structure, but how did you decide that she had brown eyes?”

Ah, always back to the eyes. “Over fifty percent of the world’s population has brown eyes.”

He grinned slightly. “So, a guess?”

“A calculated guess, Agent Ramsey.”

“I stand corrected. How long did this take?”

“On and off, about six weeks. I had to work it around other cases.”

“We all juggle. Nature of the beast.”

“Not complaining. I like the work.” Married to it was more like it.

“What else can you tell me about Jane Doe?” he asked.

Zoe shrugged off the smock she wore over her white tailored shirt and black slacks and exchanged it for her suit jacket hanging on a peg. “Bone structure tells me she was a Caucasian female in her late teens. The few teeth that remain indicate she enjoyed good nutrition and dental care, which suggests she had resources when she was alive.”

He walked around the bust, getting a 360-degree view. He pointed to the hair tucked behind the ear, as a girl in her teens might do. “Was the hair also a calculated guess?”

“In part. Given her bone structure, I assumed it was a lighter color.”

“Do you know how she died?”

“Knife marks on her ribs indicate she was stabbed at least once in or near the heart.”

“The bones were badly burned. Could a fire have killed her?”

“We’d need soft tissue to determine. There are marks along the sides of the skull suggesting someone took a blowtorch to it.”

“Why torch the skull?”

“Your guess is as good as mine. Perhaps the killer wanted to minimize the smell of rotting flesh. Or he wanted to destroy DNA, which he did accomplish when he also pulled most of her teeth. Or he could have been exorcising extreme rage.”

“He wanted to obliterate the woman’s identity,” he said, more to himself.

“That’s what I think.”

“The killer or someone messaged the tip to Ms. McDonald’s website,” Ramsey said. “Why now?”

“Another guess? The killer is tired of hiding,” she theorized. “He wants recognition for a job he considers well done. Maybe he’s sending a message to someone else?”

“Who?”

“An accomplice.” She sighed. “Or a witness who now feels secure enough to act.”

“How long has Jane Doe been dead?” Ramsey eyed the bust, as if the face troubled him.

“No way of knowing. Though Jane’s dental work is modern.”

“Any personal items found with the skull?”

“No.” She was Jane’s last and best hope for identification.

Ramsey straightened. “Impressive work, Agent Spencer. The bust will be a significant help to Alexandria police. You’re working with Detective William Vaughan?”

“Correct.”

“He attended several of the profiling team’s workshops in the spring.”

The spring training sessions had been designed to help local cops solve crimes. Detective Vaughan had been one of her best students. She had discovered he had a master’s in theoretical math, a reputation for thinking outside the box, and, over his ten years on homicide, a closure rate edging toward 90 percent. Her respect for his work had grown into desire, and when he had asked her out for coffee, saying yes was easy. It was not long after that that they had started sleeping together.

“I’ll send Vaughan a picture of the bust so he can cross-check it against any pictures he has on file,” she said. “His department’s public information officer is arranging a news release. If we can publicize her face, we might get an identification.”

“Good.”

“Ms. McDonald has called my office several times,” she said. “I haven’t taken her call, but her voicemail messages make it very clear she wants access to the case. Kind of a finder’s fee.”

“She’ll get the news along with everyone else.” His mouth bunched in curiosity as he regarded the still face. “I understand the apartment building where the skull was found is a half mile from I-95.” The north-south interstate’s twelve hundred miles of roadway ran through a dozen states and was a main artery for running drugs, weapons, and human trafficking.

“Correct. Jane Doe could be from anywhere.”

Ramsey stood back from the bust, folding his arms over his chest. “Her face is familiar.”

Zoe looked again at the bust. “You’ve seen her before?”

He leaned forward, his eyes narrowing. “Ever had a name on the tip of your tongue, but you couldn’t quite grasp it?”

Instead of pressing him for the name, she took a different tactic. “You’ve worked hundreds of cases.”

His gaze cut back to Zoe. “Yes. And I’ve seen the faces of a thousand victims.”

“Given she was in the basement for up to twenty years, you could have been a new agent when you saw her.”

“Early 2000s.”

“Remember, she’d have been a girl of means and likely missed when she vanished.”

He flexed his fingers and then suddenly straightened, snapping his fingers. “I can’t believe I didn’t see it right away. This is Marsha Prince.”

“Prince?” Zoe said. “Why is that name familiar?”

“She was a rising sophomore at Georgetown University and was in Alexandria working in her father’s business. She was days away from returning to school in August 2001 when she vanished.”

Tumblers clicked into place, and the memory unlocked. The case had been profiled at the academy. “She was living at home with her parents, who lived in Alexandria. She literally vanished, and the cops never figured out what happened to her.”

“That’s the one,” Ramsey said.

There had been search crews scouring the region. Cadaver dogs had canvased the parks, fields, and riverbeds, dry from drought that summer. As Zoe studied the face, more fragments of the forgotten case slid together into a cohesive picture.

Young, blond, smart. With the world before her, Marsha Prince’s disappearance had set off a firestorm that had rippled through all levels of law enforcement, local politics, and television news shows. Her name had been kept alive for a few years until finally time had cast Marsha Prince into the sea of lost souls.

“Should we notify her family that we may have found her?” Zoe asked.

“Mom and Dad are both deceased,” he said. “She does have a sister, Hadley Prince, but last I heard, she’d moved away.”

“Without DNA, we’ll need a visual identification from family.”

“Turn it over to Detective Vaughan. The ball’s in his court now.”

©2019 Mary Burton

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